Crime and punishment morally ambigous character Essay Example for Free

Crime and punishment morally ambigous typesetters case set aboutSeveral morally ambiguous characters played different vital roles in Crime and Punishment by Fyodor Dostoevsky. In fact, most characters illustrated in this twisted novel can be evaluated as possesing approximate and wickedness qualities. Sonia Marmeladov is especially ambiguous and important in this novel. Her contradicting social and moral statuses along with her contrasting roles as a saintly liberator and sinner allowed Sonia to play a crucial role throughout the novel. not only that however her character further strengthens the theme of ghostly awakening. At times Sonias character becomes hard to categorize as good or evil because of her actions. The first descriptions the reader gets of Sonia are from her drunk father, Marmeladov. She has lived her life with little money, brusk housing conidtions described as having every sign of povery (294). Sonia tries to make an honest living by make linen shirts bu t do you suppose that a respectable poor girl can pretend much by hard work? Not fifteen farthings a day can she earn(15).Not merely enough to support a family along with her drunk fathers habits. So Sonia eventually becomes a prositute in order to to support her family and gains a yellow ticket (16) This is what gained Sonia her title as a sinner and which puts her character at question. However, Marmeladov explains to Raskolnikov how Sonia goes to them mostly after dark, she comforts Katerina Ivanorna and gives her all she can( 16). This part of Sonias character depicts her as a winning daughter willing to sacrifice herself to save her family.This portrayal in some ways resembles Christ as He himself bore our sins in his body on the cross, so that we might die to sins and live for righteousness. He sarcrificed himself as she sacrifies herself. Does that change the fact that she is committing a sin? No of course not and that is exactly where the contest of her morality takes pl ace. The world sees her in such an attire(163)which puts her to shame in her guady finery (163) Yet the reader sees a young, exhausted girl who was pushed to take drastic decisions in her life.It is Sonias actions which are evil but her purpose and pure individual make her more saintly than most of the characters in the novel. Because her character plays this role, it is her who helps Raskolnikov find his religious faith and who leads him to at last come clean later on in the book. Another circumstance where Sonya is morally ambiguous is where she has to break up to either have a relationship with Raskolnikov, or leave him out of the picture when he reports her that it is he who murdered the pawnbroker.Sonya knows that it is right to help Raskolnikov because he could be confounded and go even deeper into his madness. However, Sonya knows that Raskolnikov is a sea wolf and it would be wrong to be associated with somebody who knowingly commits sins as extravagant as murder. Son ya is also conscious(predicate) that Raskolnikov has issues and his madness could drive him to do other things that could lead to even worse consequences. Sonia does tell Raskolnikov that he must(prenominal) turn himself in and confess his sins but she also hugs him and kisses him as to comfort him.Her odd response is to tell Raskolnikov I will follow you, I will follow you everywhere Ill follow you to Siberia (407). As she tries to find a valid excuse as to why he killed those women, she finds that there was no good intentions in his mind, yet she still sticks by Raskolnikovs side. This response leaves the reader wondering whether Sonia is doing this to help a lost soul and play her role as a saintly liberator or does her love blind her and is she barely not caring that what Raskolnikov committed was murder.However, even though the last part of the book depicts Sonia as an hench man to a morally wrong crime, the epilogue illustrates her as a saintly liberator. In Siberia, the im age which she carried dorsum in part one and part two of the book are stripped and she is loved by the prisoners in the camp. They even called her little mother Sofya Semyonovna(538), and although it is clearly stated that Sonia herself did nothing special to be liked, their election for her depicts that they sensed her moral goodness. Without direct statement, Sonia herself was the reason why Raskolnikov felt in some way his religious reawakening.Through her unconditional love, she and her role made this story of a gradual renewal of a man (542) happen. Dostoevsky theme of religion was carried on and developed by Sonias character through her moral ambiguity. though her character appears to be immoral in several cases, in the epilogue the reader sees how it all comes unitedly and how Doestoevsky uses Sonya illustrates important social and political issues that were of concern to him, such as the treatment of women, the effects of poverty, the importance of religious faith, and t he importance of devotion to family.